Review: 21 Jump Street (2012)

By Aaron Jankowski

I have been guilty of trashing on Hollywood for recycling the same old story over and over, and have ragged on remakes and reboots.

But sometimes these reboots just click, and 21 Jump Street is one of those films.

Perhaps it is because I have never seen the show the film is based off of that I enjoyed it so much, or maybe it’s because it doesn’t matter if the story has been done before, as long as it is funny.

In case you are unaware of the story, 21 Jump Street, directed by Phil Lord and Chris Miller, follows Schmidt (Jonah Hill) and Jenko (Channing Tatum) as they graduate from police academy, flounder as bicycle cops and finally come into their own in a re-established undercover operation to bust a high school drug operation.

When we first meet Schmidt and Jenko, they are in high school, and are polar opposites. Schmidt is smart, and Jenko is a jock, so obviously they don’t get along. But once they meet up again in the police academy, they realize they can help each other get over their deficits and become best friends as they enter a life of “being total bad asses.”

After graduating from the academy, they are positioned as bicycle cops. This is a short sweet outing that has a lot of humour based on how bored they are.

When they mess up an arrest because Schmidt is out of shape and Jenko does not know the Miranda rights, their chief, Nick Offerman, who has had enough, ships them off to an undercover operation based out of a church on Jump Street.

When Offerman is explaining the operation to Schmidt and Jenko, he says it is a rehashed project because no one in charge is creative anymore so they just repackage old ideas and hope no one notices. The brute honesty and acceptance of what the directors are doing here was a breath of fresh air. It let me know this film does not take itself serious.

There are numerous other occasions where this laid back attitude is displayed, and each time, it brings laughs.

As one might expect, Jonah Hill carries a lot of the comedic weight, but Channing Tatum was terrific as well. Maybe he was so good because I didn’t expect much from him? But nonetheless, he was terrific, providing more laugh out loud moments then Hill, even.

The two played off of each other so well, I would be disappointed to not see them in a film together again.

The plot has some creepiness to it, in the form of a love interest forming between Schmidt and a girl at the high school. The writers force a line into her dialogue that states she is 18, which legitimizes it a little bit, but it is still a little weird, and not at all addressed.

The supporting cast does a great job at providing laughs, especially Rob Riggle as the gym teacher and Ice Cube as their angry Captain (Yes, this cliché is addressed as well.)

Dave Franco is excellent as Eric Molson, the main distributor for the drug supplier Schmidt and Jenko are there to find.

The film drags a bit in the second half when, like most comedies feel obligated to do, the characters start to learn lessons and the jokes are replaced with tid bits of drama. However, these parts are not heavy enough to anchor down the high flying action and comedy of 21 Jump Street.

SCORE:                 7/10

ACTING:               8/10

EFFECTS/VISUAL:             6/10

WRITING:            8/10

DIRECTING:        7/10

OVERALL:            36/50

TAKE AWAY THOUGHT: It is a wonderful thing when you enter a theatre not knowing what to expect and you end up spending the next two hours of your life laughing and smiling. I will be purchasing 21 Jump Street on DVD for sure.

Review: Friends With Kids(2012)

By Scott Jeffrey

Friends With Kids is written and directed by Jennifer Westfeldt, Her partner John Hamm also agreed to kick in on this feature and star in a supporting role. The story is an interesting one, but for those expecting another comedy like Bridesmaids, as Friends With Kids have much of the same cast, prepare for a whole different experience.

Friends With Kids centers around the idea of growing up, and how two friends Jason and Julie, (Adam Scott and Jennifer Westfeldt) within a group of friends are left out when the rest of the group seems to be all getting married and having children. It seems as though the other couples Missy and Ben (Kristen Wiig, John Hamm) and Leslie and Alex (Maya Rudolph and Chris O’Dowd) in their tight knit group do not have any time for Jason and Julie, what with all of their responsibilities to their children.

Jason and Julie make a pact then and there, they both want children, but have not found their special someone. After being best friends for years Jason and Julie know everything about one another and decide that if mr or ms right isn’t coming along they might as well just have children with each other.

Laying down some ground rules, Jason and Julie can date other people, and plan to split the responsibility of the child 50/50. Some of the funniest moments in the film come when they announce that they are going to try and get pregnant, to their friends.

The two indeed end up getting pregnant and giving birth to the child. But shortly after the baby is born Jason is anxious to get back on the horse. Meeting a woman in the park Jason starts a new relationship with someone named Mary Jane (Megan Fox). It is with the start of the relationship that he begins to fall short in his parenting, with Mary Jane being a bit younger and not wanting kids. Julie begins to see romantic feelings that she has for Jason. But she too meets another man Kurt (Edward Burns) and starts to date, leaving them somewhat at odds for who will be taking their child on respective date nights.

All of these events come to a head, when all of the friends, all of the couples and all of the kids go on a skiing vacation. Here we see the cracks in relationships, the worst of which is between Missy and Ben, who are on the verge of divorce. There is a powerful dinner scene, where John Hamm goes into a fit of rage with intensity that I haven’t even seen him reach as Donald Draper on Mad Men. Screaming with scotch in hand at Kriten Wigg “I didn’t rape you to have this baby!”. The scene is one of the best in the film, but that said, goes to show this is not some light hearted comedy.

After the Ski trip many skeletons fall out of individual closets, but what will it mean for the rest of the couples and pseudocouples over the rest of the film?

This had some interesting moments to it, Jason’s nickname for Julie “Doll” seemed to really get under my skin, and somehow by calling her that it made his character seem like he was in a student film.

Chris O’Dowd also tries to put on an American accent for this piece, and it really doesn’t faire so hot. His voice just sounds weird.

This turns into more of a drama at times really. The laughs are few and far between, granted Friends With Kids does have its moments, the best of which comes when all of the friends are around. The movie does have somewhat of an interesting idea to it, but with all of the films about relationships with no strings attached, it’s quite hard to see this one as being anything different. It very nearly tries to be like a Woody Allen New York romance story, but falls terribly short.  Most of the time I spent watching this wishing It would just cut into more time with the friends, and less time with the couple and kids.

Score: 5/10

Acting: 7/10

Effects/Visuals: 5/10

Writing: 5/10

Directing: 6/10

Overall: 28/50

Take Away Thought: The film trailer that states, “You saw them in Bridesmaids, you’ll love them in Friends With Kids.” Complete crock of shit, these movies could not be more different. I don’t know where else they are going to be able to take this no strings attached romance movie, but my god they are milking it. 

Film Review: John Carter (2012)

By Aaron Jankowski

Disney’s John Carter, written and directed by Andrew Stanton, is a visual feast but loses a lot of steam when the warring stops and the talking starts.

John Carter stars Taylor Kitsch as the title role, and Lynn Collins as a princess of the alien race Helium, Dejah Thoris.

The film, based off of the series of books written by Edgar Rice Burroughs, starts off on Earth, as we are introduced to John Carter, a former captain of the Confederate Army during the American Civil War, as he is searching for a cave of gold. His hunt is interrupted when Col. Powell, played wonderfully if not briefly, by Bryan Cranston, tries to conscript Carter to help him hunt down natives. Carter tries to escape Powell multiple times which provides good comic relief the first time, but quickly grows tiresome (sadly, this is a trend in the film.) Once Carter finally escapes, he is chased by Powell and his men into the desert where they run into a group of natives. When Powell is shot during the skirmish that ensues, we are showed John Carter’s inner good when he circles around and saves him.

While Carter and Powell are looking for a place to hide from the natives, they find exactly what Carter was looking for, the cave of gold.

Inside the cave, Carter is confronted by a stranger who attacks him, we later find out this man is a Thern, who are immortals that we later find out are the baddies of the film. It ends up the cave is a transporter used to send people from Earth to Mars, as long as they have the right medallion and know the proper phrase. While Carter is inspecting the dead Thern, he ends up being transported to Mars.

Does this sound confusing? Because once Carter lands on Mars, things only get worse.

Stanton must have believed that he could not leave anything from Burroughs books out. The plot on Mars is ripe with political unrest and civil war between two alien cities (though the race looks human minus a few red tattoos), the city of Helium and Zodanga.

The first aliens Carter encounters, however, are the Tharks. These guys look alien. They have four arms, horns and are tall skinny and green.

The Tharks are much like the natives on Earth, they are sitting back and watching as the “more advanced” cities of Helium and Zodanga battle it out, waiting for them to eliminate themselves.

Carter is instantly adopted into the Thark numbers because of his ability to jump tremendous heights and lengths (due to the density of his bones and the difference in gravity on Mars...)

The Thark leader is voiced by Willem Dafoe, who does a fine enough job as the enthusiastic but stern Tars Tarkas.

Much like the comedic escape attempts, there is a drawn out “humorous” scene when Carter learns how to walk with the lower gravity. (Note to writers: a man falling on his face is only funny so many times.)

While the first act of the movie moved rather slow, the film picks up a bit when Carter gets to Mars.

The first taste of the battle between the two human like cities comes when Princess Dejah Thoris attempts to escape Helium to avoid marrying Sab Than, the merciless leader of Zodanga who is aided by the Therns. (Yes, the two cities are at work, but a marriage between the leader of one and the princess of the other is supposed to bring peace, blah blah blah.)

Sab Than attempts to shoot her ship out of the air and a futuristic dog fight breaks out while the Tharks merely watch from the ground and take bets. 

When Dejah is bucked from her ship and is holding onto the edge for her life, Carter notices she looks human. His instinct is to save the only other human he has seen on the planet. The only thing is, his instinct to save someone who looks human leads him to kill countless other human looking creatures. I suppose we are supposed to focus on the sword play rather than the logic though.

Long story short, Dejah knows how to get John Carter back to Earth, but she would prefer if he stayed and helps Helium win the war.

At first, Carter refuses, but much like we saw him save Powell at the beginning, his inner good guy takes over and he helps fight for Helium.

As you may well be able to tell, one of the biggest draw backs to John Carter is its incredibly detailed political unrest. It is an interesting story, but seems way too congested. Imagine if other films inspired by the John Carter books through their entire plot on you at once, such as Star Wars.

It is just too much.

Because of this, the film that runs only about 130 minutes feels like it is well into three hours long. It also doesn’t help that Kitsch delivers a lot of his lines with a Christian Bale circa Dark Knight type throaty voice. It was annoying when a great actor did it; it’s almost unbearable when a not so good one does it. That said, Kitsch was brought in to look good almost naked and kick ass, and he did both.

The script does have a few genuine classic lines; however, the best of them are delivered in such passive non-memorable ways. The best of which, seemed completely out of place. As if Stanton came up with it on the fly and had to just randomly drop it into the script.

Lynn Collins was good as the half naked princess, but she wasn’t really asked to deliver too much. (For the record, Star Wars also wins the battle of half naked princesses.)
The film wraps its self up rather nicely. The audience gets its big final battle it is dying for by the end of the film, and it even packs a little bit of a surprise.

Score: 8/10

Acting: 5/10

Effects/Visuals: 9/10

Writing: 5/10

Directing: 5/10

Overall: 32/50

Take Away Thought: Sure, George Lucas and James Cameron got some inspiration from the John Carter books when writing Star Wars and Avatar, but the problem is, they made their films first. This means that despite John Carter being the source material for a lot of the visuals you’ll see in the film, it still feels clichéd and done, because it has been done, and much better in those respective films. It should also be noted that I was uncomfortably bored in the theatre during a lot of this movie. Whenever there wasn’t a battle, I was bored.

Film Review: The Sitter (2011)

By Scott Jeffrey

Jonah Hill is in the driver’s seat for this mismatched comedy, with aims to take Hill’s raunchy style and package it into something that could be enjoyed by both adult and young adult. Honestly if they had taken a few f bombs and a few plot items out, I believe this one could have been just that.

The film walks a really strange line in between something that they would put on family channel, and something that would normally carry an R rating. Some parts seem as though it is holding back.

The plot centers around Noah (Jonah Hill) was sort of a loser who’s dropped out of college and is now living with his mother. With no prospects of employment is lured into a babysitting job taking care of three kids. Slater (Max Records), Blithe (Landry Bender) and the adopted son Roderigo ( Kevin Hernandez). Noah has been seeing a girl (Ari Graynor) or rather being used by a girl and he believes her to be his girlfriend. She gives him a call and urges him to ditch his plans babysitting, and join her at a party where she promises to finally have sex with him as long as he brings her cocaine.

Noah, out of weakness steals the woman’s van of whom he’s babysitting for, and with the children in tow goes to seek out his girlfriend’s drug dealer Karl (Sam Rockwell). After entering Karl’s bodybuilding shop, the drug deal is interrupted by Roderigo, a troublemaker, who comes in from the van, needing to use the bathroom. After leaving it is revealed that Roderigo has stolen a dinosaur egg container which Karl uses to store drugs, and it’s full of cocaine. Noah and the children are then caught in a race for their lives against Karl and his gang.

The really strange part after hearing all of this, is that they saw fit to have each of the kids learned an important lesson, bringing in the whole Disney family channel sort of vibe. Noah has a sitdown with each one of the kids and they talk out their problems, all well being in mortal danger chased by both cops and drug dealers.

I wasn’t expecting much but I got a few laughs. The majority came in the first 5 min. The interaction with the kids is a little bit funny, but there is a lot of really boring moments. The preachy bits that are supposed to be heartwarming, really don’t seem to fit. Things also seem to be tedious as each kid seems to have one shtick and Prater on about it like a broken record. Even Sam Rockwell as Karl, the wild and crazy drug dealer, gets old after the first scene he’s in. I would’ve sooner seen Noah on the flight for his life, all by himself, cursing like a sailor.

Music visuals and acting were all afterthoughts this film seems like it was just a paycheck not a single iconic scene will stick with me save maybe the situational humor from the opening one.

Score: 4/10

Acting: 3/10

Effects/visual: 3/10

Writing: 3/10

Directing: 3/10

Overall: 21/50

Take Away Thought: If you want a really mindless film to watch that you haven’t seen before, throw this on. Just do not go in with high hopes whatsoever. This film isn’t quotable and barely worthy of conversation. It’s a time killer, and a difficult one to see all the way through. 

Feature: Oscar Recap

By Aaron Jankowski

It was supposed to be so easy.

The Artist was going to sweep the big awards and the technical awards were going to be evenly spread out amongst a bunch of worthy candidates.

We made picks using our own insights, insights of other reviewers and general buzz around the Internet.

As all the celebrities arrived on the red carpet, and Tom Gunn commented on their dresses and suits, I sat back with my Tim Horton’s coffee and timbits, looking over my Oscar picks, and I felt confident.

I couldn’t decide with George was going to win best actor or not and I thought that was my biggest concern.  

Then the show started.

Spoofing the top films of the year is par for course; it was going to be done whether it was Billy Crystal, Eddie Murphy or even Paris Hilton hosting. This, I understand. But when the spoof ended and Billy broke out into song and dance and not excellent, well timed and hilarious Hugh Jackman song and dance either, the 84^th Academy Awards started off on a low note. Sadly, it was going to get a lot worse before it got better.

It didn’t take very long for SpeedrocketENT to look like a bunch of stooges.

And the award goes to...Hugo!

And the award goes to...Hugo!

And the award goes to...Hugo!

Blah. Blah. Blah. FUCK!

Once it was clear our picks were going down the drain, it was time to just sit back and enjoy the show, and after having a few days to digest it, there was more to enjoy then there was to hate.

I was not a fan of Billy Crystal, at all. He had some genuine laughs, because the man is funny, and given four hours and all of Hollywood to riff on, even I am bound to make at least one good joke. That said, even though Crystal had way more misses then he did hits, he still came out of the night hitting at least .300.

Without a doubt, the presentation highlight of the evening, for me, was ... No, not Jolie’s leg ... It was Will Ferrell and Zach Galifianakis, (or Zatch Galimakis). I have a soft spot for their brand of humour that will never die. It also helped that they awarded Brett Mckenzie, another hilarious human being, his Oscar.

Emma Stone and Ben Stiller were classic. Especially since Stiller’s antics have been the absolute shittiest part of the past few Oscar shows.

Ok, I’ll fess up; I also have a huge crush on Ms. Stone.

As a Canadian, and a big fan of him personally, it was amazing seeing Christopher Plummer win Best Supporting Actor for Beginners (review up soon!)

Plummer, who is only two years younger than the Oscars themselves, has long been over due for a win, and showed so much passion and grace in his acceptance speech. Sure, it helped that I picked him to win it.

When it came to the big five categories, we at speedrocketENT did pretty good, between us, we went 4 for five, only miscuing on Best Supporting Actress, as we over looked Octavia Spencer’s performance in The Help.

Yes, we are basking in picking the sexy categories right because we sucked it up hard in the meat and potatoes of the awards.

All in all, the show wasn’t a complete waste of my time, but it wasn’t the most exciting. I would have liked to see a more edgy host. Crystal played it safe, and ended up looking like an even less funny Jay Leno. I was waiting for him to start reading hilarious newspaper headline errors.

I was upset I hadn’t seen Hugo going into the awards, because I can’t fairly comment on its worth, but I am so pleased I saw The Artist. That said: I was disappointed I saw it after I placed my bet on George Clooney for Best Actor. Had I waited a few hours before submitting my picks, I would have beaten Scotty in the office pick’em, and would be enjoying a free Cornerstone coffee next time I am his way.

Live and learn I suppose!

TAKE AWAY THOUGHT: Why not let SpeedrocketENT host next year’s Oscars? I’m picturing Steve Martin, Alec Baldwin chemistry. Tune into our second podcast to hear more thoughts on the Oscars and more.

Film Review: Underworld Awakening (2012)

By Scott Jeffrey

Just when you thought that they couldn’t make another underworld film suddenly one more comes along. Not that this is a terrible thing it’s rarely ever horrible to see Kate Beckinsale in that outfit. But doesn’t deliver the same thrills as the other films? Let’s find out.

Underworld 4:Awakening, takes place six months after the events of underworld evolution. Human governments have begun a genocidal campaign against vampires and Lykens known as the purge. Selene (Kate Beckinsale) is captured and put into cryogenic stasis. Known as subject one Selene is freed 12 years after her capture by an entity known only as subject 2. After escaping the facility where she is held, Selene begins to have strange visions. Her assumption is that these visions are linked to her lover, Michael Corvin.

Selene eventually links these visions to young girl only known as Eve (India Eisley). Who was later revealed to be a hybrid just like Michael. Soon revealed is that the research facility where they were both held is in fact run by Lycans in disguise. The object of their research is to create a new breed of Lycans. All of this research done in complete secret under the noses of human governments which are still seeking to find and kill any non-humans. With both the humans and Lycans out to get them, Selene finds an ally in David (Theo James), a fellow vampire and must take refuge with his group of vampires to defend her and Eve from the human/ Lycan hordes.

The music was as to be expected, nothing terribly memorable. Underworld is never been known to have an amazing score. The soundtrack is a different entity entirely it’s too bad that it didn’t make the film. They have remixes from artists like The Cure and 8mm, which would’ve been great to include in the feature.

Acting in this film is sort of an afterthought. Most of the film is action based, there is of course a little bit of emotion with the girl Eve in peril. Most of the emotional scenes sort of come across as having a very robotic acting style in this film. It’s as if they’re just added in between the gratuitous action scenes to fill time. Not that I expected any great shakes out of an Underworld film let alone an Underworld sequel.

The visuals weren’t even too impressive either. The Lycans look like they were animated using a really old stop motion technique and didn’t seem to have much fluidity to their movement. With all the computer-generated animation studios that there is today it’s a wonder that Underworld didn’t shop around to get the scariest looking monster possible. During a high-speed van chase the animation looks choppy enough to be a throwback to the original Clash of the Titans.

Score: 5/10

Acting: 4/10

Effects/Visual: 5/10

Writing: 4/10

Directing: 5/10

Overall: 23/50

Take away thought: This is a good popcorn film. That is to say if you need something to watch while you’re eating a bowl of really good popcorn, go ahead and put this on. It really won’t take a lot of your attention away from your really good bowl of popcorn which should be the main focus. It’s got some cool action scenes but for the most part you could fast forward through most of it. If you’re big fan of the series go for it.

Film Review: Attack The Block (2011)

By Scott Jeffrey

There are few alien invasion films that have the kind of charm that Attack the Block has. Its similar to Battle LA in terms of being thrust right into the action. But the characters and pure situational humor of aliens waging war on a South London neighbourhood make this an excellent film in every way that Battle LA was a terrible flop.

The story opens up with a lone nurse named Sam (Jodie Whittaker) is mugged by a gang of teenagers near her home: Pest (Alex Esmail), Dennis (Franz Drameh), Jerome (Leeon Jones), Biggz (Simon Howard), and leader Moses (John Boyega). Their mugging is interrupted by an object falling from space and colliding with a nearby car. Sam manages to escape the gang with this distraction and Moses begins to crawl into the wrecked vehicle searching for valuables. Moses is then attacked by a small furry creature which scratches his face up. He vows to kill the creature and soon after the gang works together to track the animal and kill it.

After the creature is dead the gang look upon the carcass and find it very unusual indeed. Thinking they may have found something alien they take the body with them to the safest place they knew for safekeeping, a drug dealer’s apartment.

Meeting with their associate and drug dealer Ron (Nick Frost), they ask permission from Ron and his boss Hi-Hatz (Jumayn Hunter) to keep the dead body in the fortified “Weed Room”. Before a decision is made other objects begin falling from the sky. The gang is anxious to collect more specimens and run out of the apartment to the closest crash site.

When the group come up on the nearest crash site they observe that from the size of the wreckage the aliens that were landing around the neighbourhood now were much, much larger. They see a giant set of glowing fangs off in the distance and begin to run back into the apartment complex. This begins the chaos that has the group working together to combat the aliens. Eventually making unusual allies with the woman who they mugged, who coincidentally lives in the same apartment complex.

While there isn’t a lot of plot, this has got some laughs to it. Dark laughs because in all truth these aliens are ripping a lot of people to shreds, but watching as the gang members act in an adolescent manner while solving very adult and scary problems is quite a treat. The use fireworks, ebay swords and scooters to take on a massive alien army, and who wouldn’t want to see that?

The acting actually wasn’t terrible. John Boyega plays an excellent gang leader, you can see both a tough exterior and a side of vulnerability. For a young actor this guy has got some serious chops. He is pretty good at disposing of aliens as well.

I was surprised with the soundtrack as well until I saw the credits. Basement Jaxx is responsible so the whole of the film has a really upbeat techno vibe. It makes the scenes really show a sense of urgency and during the action really pumps the scene up. The used a lot of videogame sounding stuff, it actually reminded me a bit of the Scott Pilgrim soundtrack.

Visual weren’t too bad, this isn’t a big budget film by any means. The aliens were made fairly simple and I am sure this saved a lot of the visual effects budget. They basically looked a lot like big carpets with rows of the glow in the dark vampire teeth. They are frightening but cartoonish in their own way, and maintain the look of aliens without having to shell out a massive budget for CG characters.

Score: 8/10

Acting: 6/10

Effects/Visual: 7/10

Writing: 6/10

Directing: 6/10

Overall: 33/50

Take Away Thought: Overall a very fun ride, quite reminiscent of Nick Frost and Simon Pegg’s Shaun of The Dead just not quite living up to the same quality. It’s certainly very entertaining Sci Fi Film that doesn’t take itself seriously one bit.

Predictions: The 84th Academy Awards

@speedrocketENT
 

Best Picture
Scott: The Artist (Midnight in Paris)
Aaron: The Artist (Midnight in Paris)
Best Actor
Scott: Jean Dujardin (Gary Oldman)
Aaron: George Clooney (Jean Dujardin)
Best Actress
Scott: Glenn Close (Rooney Mara)
Aaron: Meryl Streep (Viola Davis)
Best Supporting Actor
Scott: Nick Nolte (Christopher Plummer)
Aaron: Christopher Plummer (Christopher Plummer)

Best Supporting Actress
Scott: Bérénice Bejo (Melissa McCarthy)
Aaron: Bérénice Bejo (Jessica Chastain)
Best Director
Scott: Martin Scorsese (Woody Allen)
Aaron: Terrence Malick (Woody Allen)
Animated Film
Scott: Rango
Aaron: A Cat in Paris
Art Direction
Scott / Aaron: The Artist

Cinematography
Scott / Aaron: The Tree Of Life
Costume Design
Scott: The Artist
Aaron: Anonymous
Documentary
Scott / Aaron: Hell and Back Again

Short Doc
Scott: The Tsunami and the Cherry Blossom
Aaron: Incident in New Baghdad
Film Editing
Scott / Aaron: The Girl with the Dragon Tattoo
Foreign Language Film
Scott: Bullhead
Aaron: In Darkness
Makeup
Scott / Aaron: Albert Nobbs
Music
Scott: War Horse
Aaron: The Artist
Original Song
Scott / Aaron: “Man or a Muppet” The Muppets
Animated Short
Scott: The Fantastic Flying Books of Mr. Morris Lessmore
Aaron: La Luna
Live Action Short
Scott: Raju
Aaron: The Shore
Sound Editing
Scott: Drive
Aaron: Transformers
Sound Mixing
Scott / Aaron: Transformers
Visual Effects
Scott / Aaron: Planet of the Apes
Writing (Adapted)
Scott: Tinker Tailor Soldier Spy
Aaron: Hugo
Writing (Original)
Scott: Midnight in Paris
Aaron: A Separation

TAKE AWAY THOUGHT: Watch for our second podcast to see who wins our Oscar showdown as well as the results of our All-Snubbed Oscar poll.

Film Review: The Adventures of Tin Tin (2011)

By Scott Jeffrey

CG graphics have come a long way in feature length animated films since the first Toy Story. We can really see how far we have come with technology in regards to CG when watching Steven Spielberg's, The Adventures of Tin Tin.

The visuals in this film are absolutely staggering. Sometimes when looking at a scene and seeing how perfectly characters vocals are in sync with natural facial movements and how well the textures are done, while still keeping the iconic look of the original Tin Tin art style intact. This direct comparison between the art of the past and present is shown in the first 5 minutes of the film, where the scene opens with Tin Tin getting a caricature sketch done at a local market. The artist then compares the older cartoon Tin Tin with the newly rendered digital Tin Tin of 2012. How far we have come indeed.

The plot begins with Tin Tin (Jamie Bell), a famous reporter, purchasing a model ship at the very same market. From there he is thrust into a whirlwind adventure, where many buyers including a mysterious Mr. Sakharine (Daniel Craig) set out to purchase or steal the model of the ship known as “The Unicorn” out from under the intrepid investigator. This leads Sakharine to the point of kidnapping Tin Tin and taking him on board his tanker steaming towards Morocco to solve the mystery of The Unicorn, a wreck said to house great riches.

Tin Tin escapes from the cargo hold with the help of his dog snowy. Crawling up decks he manages to meet the drunken Captain Haddock (Andy Serkins). Haddock is the owner of the boat and his crew was bribed into mutiny by Sakharine. 

Turns out Haddock is the heir of the captain of The Unicorn and knows the true story of why the ship was scuttled. Tin Tin and Haddock race against Sakharine to capture all the pieces of the puzzle before it is too late. The treasure of The Unicorn cannot fall into the wrong hands. Bumbling Interpol agents, The Thomson Twins (Simon Pegg, Nick Frost) lend a hand when they can.

The story is pretty good. I wouldn’t recommend Tin Tin For young kids. Haddock is a functioning alcoholic and seems to treat it like Popeye treats spinach. The action doesn’t really let up either. There is also a fair amount of gunfire and violence. It does make it very interesting for mom and dad to see an actual plot and action in an animated film, but don’t be fooled by the exterior. I wouldn’t show this to an 8 year old.

Nick Frost and Simon Pegg are excellent as Thomson and Thomson. Watching them bumble around the case brought me right back to the Tin Tin animated series on television. They are frustratingly stupid and its very comical.

I can`t decide if Craig plays a good villain or if his spooky foreign accent makes me cower or giggle. You can tell it is Daniel Craig Voicing Sakharine, but just barely.

The visuals are amazing, and the action scenes would be spectacular on blu ray with a surround sound system. There are plenty of action scenes to speak of this film does not have many dull moments to speak of.

The score was excellent as well. But it was John Williams so what do you expect. I am glad they kept it classical and didn’t try and bring in any popular hit music, it would have really cheapened the film.

Score: 8/10

Acting: 7/10

Effects/Visual: 9/10

Writing: 8/10

Directing: 7/10

Overall: 39/50

Take Away thought: I would recommend seeing this film. It has some memorable action scenes and if you are a fan of the Tin Tin show or comic book you really need to see it just to relive the adventure. 

FILM REVIEW: Chronicle (2012)

By Aaron Jankowski

Chronicle is the perfect bastard son of three of Hollywood’s flavors of the month right now: origin stories, superheroes and found footage style films.

This doesn’t mean it is a bad thing. Heck, I love a good superhero/origin story (See X-Men: First Class). Though, I am not a fan of found footage. Like all styles, it can be used effectively and creatively. However, I find it is mostly used in the exact same way and it lends itself to lazy editing and awkward “real talk” dialogue that sounds so forced in its attempt to be natural it’s painful.

Chronicle, directed by Josh Trank and written by Max Landis, falls prey to the trap of trying to sound real and failing, causing a lot of the interactions to come off as well as those acting troupes that go to high schools and do mandatory attendance plays about saying no to drugs, and not making the sex without a condom.

This not to say that Landis’s story is not a good one, or even that Trank executed it poorly. I loved Chronicle’s story, and though some of the character development was seemingly written paint-by-numbers style, it worked. We believe the characters.

Chronicle jumps right into letting us know everything is not alright with Andrew Detmer (played by Dane DeHaan). His father is an alcoholic and abusive and his mother is very ill. Because of this, Andrew retreats from life and hides behind a camera, vowing to film everything from here on out, because it makes him “safe.”

This is a little weak of a set up, but it gives an excuse for why the revolution that is coming will be televised.

Andrew, camera in hand, goes to a party with his cousin and bona fide cool guy, Matt Garetty (played by Alex Russell). Matt hangs out with Andrew, and tries to involve him in social activities because they are cousins, but he knows Andrew is an outcast and just does not fit in.

At the party, we are introduced to a character that has a vlog, and thus, is filming everything also. She is basically a means of giving us more depth into the characters when Andrew isn’t around.

The party also serves to show us, Andrew does not fit in. He gets picked on, abused and insulted.

As the night grows old, and Andrew as resided himself to hanging out outside and crying, Steve Montgomery (Michael B. Jordan), the all-around loveable high school athlete / class president / popular guys, comes and gets Andrew to join him and Matt in exploring a hole in the ground they discovered.

Long story short, what they find in the hole gives them telekinetic powers. Some may be angry that Landis does not explain what exactly happened, but the who why and hows don’t actually matter in this story. The film is not about how they get the powers, but what these young men do with it when they have it.

At first, the powers bond the three boys, as they become close exploring their powers together. Had this not been a found footage film, we would be treated to a montage of them lifting objects with their minds, throwing baseballs and all sorts of general tomfoolery. But it is found footage. So instead, we sit through each of these things as their own half hearted full length scenes. (I never thought I would be advocating for a montage!)

Chronicle, though it has a good story, holds no surprises. The two already popular boys can handle their powers, but Andrew, the poor loner who has been picked on, beaten and bruised by everyone, takes his new found power with a chip on his shoulder.

The visual effects in Chronicle were excellent. When I saw the trailer which had Andrew crushing a car, I figured that was the big budget effect. Their load was blown. But I was dead wrong. I have never seen a found footage movie with such good effects. Trunk managed to infuse the film with a lot of excellent action scenes.

All in all, Chronicle left me wanting more. Much more. And not only because it is a ridiculously short 84min film, but because the story had so much potential it never reached.

With great power comes great responsibility. If only with a great story came a great movie.

SCORE: 4/10
ACTING: 5/10
EFFECTS/VISUAL: 9/10
WRITING: 6/10
DIRECTING: 7/10
OVERALL: 31/50

TAKE AWAY THOUGHT: I wish Hollywood would use one more of its favorite tricks right now, and do a gritty reboot of this story in the next few years. This story had so much potential, but I think the found footage style acted as a governor for the film, stopping it from hitting full speed.

Scott's Take: Pathetic, cinematic wank.